Shoot By Daylight

…And so went another bout of egocentric banter between Hobbes and his best buddy Calvin. This time during a drawing session in which Calvin wanted to place his “genius” down on paper. In much the same way, I’d gather with my brother Mikel or childhood friends Collin and Joe at a dinner table or cluster of desks, really anywhere a flat surface was available so we could create art.

Bill Watterson’s re-emergence in Stephan Pastis’s “Pearl Before Swine” strip (seen below) this week brought back all sorts of memories – the weekly Sunday culmination where Bill was given free-reign to innovate on the page, never before seen in any other daily strip.


Overlaid, oblong or circular panels. Shit, even some had absolutely no discernible panels. Just a gorgeous vista and a few text bubbles chronicling Spiff’s ongoing space saga.


Spiff joined a selective but important roster of characters that I learned to draw and even dreamt up adventures for hand-drawn comic book issues. That roster included the Super Mario Brothers and Teenage Mutant Ninja Turtles. But, it was the pulp-like storyline and adventurous artwork of Spaceman Spiff that always resonated by far the most.

My friend Collin and I spent many free hours and half hours collaborating and finishing two issues on wide-ruled notebook paper in 1991 (you can see these below). This was during the formative years of my ability to draw. Mainly to mimic things I was seeing and make decent approximations without tracing. Those issues we decided to have the class sign, yearbook-style. Not really sure why? Probably we felt a major sense of accomplishment. I know the biggest mentor at that stage in my life was a wonderful English teacher named Mrs. Franklin who always encouraged my writing – be it comic books, short stories, and more.


The fact I’ve kept these relics of my artistic past is partly for nostalgia. And partly because of how important Bill Watterson and his daring humor, biting commentary, edgy illustrations, and quiet humility have stuck with me as I’ve become an adult artist. The content of the strip alone had all the right amounts of slapstick, childish angst, and also a ton of brevity and philosophical musings. This wasn’t merely a meal-ticket to Bill. He saw “Calvin & Hobbes” as serious art and treated it as such. This is further proven by him refusing to license his characters as many of his contemporaries went the toy, t-shirt, and sticker route including my favorites like Berke Breathed, Jim Davis, Bill Amend, and Charles Schultz.

The way he “came out of retirement” was done with so much tact and, dare I even say, magic as the original strip always had, despite merely amounting to 3 panels. It made my month when I saw my colleague John Biggs tweet Pastis’ blogpost the other day.


We are in a “golden age” of self-publication nowadays. There is definitely room in the indie-comic world for Bill to find a niche with new characters and a completely new series. He wouldn’t even have to write under deadline anymore. Andrews & McMeel and newspaper layout guidelines would no longer be a spectre over his creation. The mind wanders what he could do with pure autonomy. Graphic novel? Experimental weekly? Smartphone app stickers?

That being said, now that he’s opened the door once again into his unique take on the world, I can’t help but want more. And unlike any old school C&H junkie, I want my fix again. What do you say there Bill? Bill? BILLLLL?!?!?!

All Imagery of “Calvin & Hobbes” is the intellectual property of Bill Watterson and printed here in reverence of his work.

All imagery of “Pearls Before Swine” is the intellectual property of Stephan Pastis and Andrews McMeel Universal.

This was the copy that was attached to Stone’s 15th Anniversary Escondidian Imperial Black IPA. The words really ring true to me in how I view the coming art & craft rebirth we are experiencing here in America:


“In the 15 years since we entered the craft brewing world, change has come not in a straight line, but as an exponential curve. The craft brewing movement has long been called a “revolution.” But today the air is so thick with revolution, it’s palpable. No longer is it only an awareness among the faithful; the unconverted are beginning to feel it as well. Denial and ignorance are disappearing in favor of opened eyes, curiosity and the sense that there’s something larger out there. For far too long we have been lied to. For far too long we have been oppressed by the notion that dumbed-down-lowest-common-denominator-mediocrity was all that we could, and should, expect.

You might think we’re talking only about the world of brewing, but we’re not. There is a myriad of products out there masquerading as cheeses, coffee, chocolates, breads…hell, there is stuff pretending to be ’food’ that our great grandmothers would not recognize as such. Yet the craft brewing movement, together with the artisanal food movement, is making much progress. Where the industrial companies can’t dismiss or bury us, they are attempting to copy us with cheap facsimiles. Yes, chances are if you are holding this bottle, you understand these things to be true about the world of brewing.

You also likely understand the importance of our fight at Stone against accepted ’norms’ over the last 15 years. We believed that America was ready to embrace things made with artistry and passion. You have spoken. Your response has been clear. We are not merely consumers to be spoon-fed whatever commodities need to be unloaded for a profit.

We have only just begun to move the needle of this revolution, & mediocrity still reigns. Consider that when you reject dumbed down, industrialized food and drink, you also support craft brewing. The line is nearly seamless; we are fighting the same battle. We will not win in our lifetime, as the powers are too entrenched, and the masses too fooled. And shackled.

However, this is a revolution of ideas and of taste, and we will win. How do you want to be viewed by your children, and your children’s children? As a hero, or as the oppressed? (Those that don’t think they have been oppressed are already lost.) Ultimately, it’s up to you to decide. We hope you’ll stand with us. Strong and unyielding. You are needed.

This bottle and its glorious contents are a celebration of you, brothers and sisters, and your importance in this fight. Cheers to all we’ve accomplished together in the past fifteen years, and cheers to the adventure ahead!”

Cool Find: Lovetrack App

Shareable Bike Rides from Lovetrack on Vimeo.

Still have faith that these guys will get this thing done & done right.

What I have to Offer – Charlie Kaufman

What I have to Offer from Eliot Rausch on Vimeo.

This doesn’t really need a lot of explanation. Charlie Kaufman articulates very well the artists’ wound at a BAFTA event on screenwriting. All I can say is watch and be blown away. Thanks Charlie. What I have to offer is me…

Why Your Next Gig will be in Web Video

Sometime last month Jason Fried (@jasonfried), co-Founder and President of the web industry standard-bearer 37Signals, decided to break new ground and hire a full-time filmmaker. This is nothing new for a company that has prided itself on always jumping on trends before others: It’s flagship project BasecampHQ was one of the earliest mainstream web-based applications. Not only that, the code Basecamp is built on has become an internet juggernaut forming the backbone for sites like Twitter, Soundcloud and Hulu.

Needless to say, there are plenty of reasons why new-hire Shaun Hildner with a camera at the ready will add much to 37Signals’ brand and following. According to Jason in his Inc. Magazine article, “Video is a great way to show off a company’s personality, people, culture, and customers. It helps humanize a business.” And he’s right; it’s super affordable to shoot, produce and edit micro documentaries nowadays thanks to the HDSLR movement. While a website, twitter account and even podcast appearances can do much to project a company’s “essence” it can be argued that a 4 minute web doc can do all that and more.

Why should this matter to you? Well, more than likely this is the beginning of a trend for regional urban filmmakers. First, companies are more image conscious than ever. The business transparency movement is gaining steam so thousands of startups and media savvy companies may look to hire similarly – or at least short-term contract work. Secondly, as the mobile smartphone revolution continues, a splash video for any website, social media account and business that lays out: Who we are, What we do, How we do it – in a concise, professional video will be essential.

This promo video for the Evernote app is a great example.

But that won’t be the only gig goldmine. With the news from The Daily Beast that Google is finally spending real money on original content, we are entering an age in which web video will finally be taken seriously for media consumption. Big rumors remain that Netflix may follow. In the Tech TV world, there are already shows with a great following on web network Revision3, notably Tekzilla and including Film Riot. As freelancers, you’ve probably already worked on plenty of web promos, ads and testimonials. Soon are the days where you will be working on full-fledged web series, online indie film premieres, and subscription webstreams. The best thing you can do is position yourself to get these gigs and learn or buy the technology necessary to stay ahead of your competitors.

My advice? Dive into the web television culture any way you can. The desktop Boxee app is free and syncs with a lot of the content. A Roku is very affordable and allows you to stream content to your regular television. And of course, you can pore over popular YouTube series as well. My personal favorites being the thought provoking “TED Talks”, indie music art of “La Blogotheque”, and comedy puppet show “Glove and Boots”.

How about my readers: Any web trends you’re noticing? What are your favorite web shows?